1888
Sydney,
Australia: From 138 Phillip Street,
Dawn, a
magazine
entirely produced and even printed by women, and published for women, was
launched, under the editorial pen-name 'Dora Falconer'. The news magazine was boycotted after just a few months by the New South Wales Typographical Association at the behest of the
Trades and Labour Council, because women were doing the typesetting.
Its publisher and editor was
actually Louisa Lawson
(1848 -
1920; pictured below), soon to
become known throughout the colony as the prominent
feminist and 'Mother of Women's Suffrage'. She was also the mother of
Henry Lawson (1867 -
1922),
considered by many to be the
national poet of Australia.
Mrs Lawson had been inspired to do establish a journal
after hearing a lecture by Susan Gale, "the sweet grey-frocked Quakeress"
at the Sydney Progressive Spiritualist Lyceum at
Leigh House, 223 Castlereagh
Street. "The Australian Woman's
Journal and mouthpiece ... [would be] the phonograph to wind out the
whispers, pleadings and demands of the sisterhood." The Dawn came
out at threepence a copy, with sixteen pages (later 32). The first four pages
came from the April Republican, a simple matter of re-using the type from
that radical Sydney journal. On page 2 it said: "Half of Australian women's lives are
unhappy, but there are paths out of most labyrinths, and we will set up finger
posts ... it is not a new thing to say there is no power in the world like that
of women." There was a poem, 'To a Bird', by Louisa.
Her
son Henry was in Sydney at the time and helped with this first and some
subsequent editions; his job was to crank the old press, which he did while
composing poems in his head, sometimes forgetting what he was supposed to be
doing. It was on The Dawn's press that Henry's first slim little book of verse,
Short
Stories in Prose and Verse (1894), was
(poorly) printed, with some of the printed pages, on the way to binding,
famously blowing off the back of a cart onto the newly watered street near
Wynyard Station.
Soon after the publication of Issue 1, Louisa
established The Dawn
Club, which met at (among other venues)
Quong Tart'
tea rooms at
137 King St and 777 George St, one at the
Queen
Victoria Markets (called the
Queen Victoria Building,
or QVB, from 1898), and possibly in the
George St markets (aka Paddy's Markets, near
Chinatown).
One of Louisa's meeting places was 43 Royal Arcade (possibly another Quong Tart
establishment).
The all-male New South
Wales Typographical Association
enacted a boycott, but Louisa Lawson managed to set by hand and publish for 17 years with the aid of
other women and sometimes her famous son.
The NSWTA issued a report,
which read in part:
"It is not in the interests of humanity that young girls or young women should be employed at an occupation fifty per cent of whose followers die of chest and lung diseases, and whose statistical death-rate stands fourth on the list of those whose trade or occupation causes them to be short-lived. It is hoped that the public will sympathize with your board in their efforts to put a stop to the employment of females at a trade which is most trying to the strongest male
constitution."
To this, Louisa replied in
Dawn:
"In the sacred name of humanity the compositors step in to save unthinking women from sacrificing themselves on the altar of this fatal occupation. It happens very conveniently, of course, that women are not wanted in the trade, because it is a nice, easy, healthy occupation, where wages are kept at a good level, and therefore well suited to the tastes of the present possessors, but whether it is suited for women or not, and whether it is just to leave women free to enter it if they can, matters not at all. That dread power, the compositor's conscience, calls upon him for pure humanity's sake to step in, and by boycott or any other means, to interpose between
'young girls' and 'young women' and the sure death that awaits them in this deadly trade of
typesetting."
She also wrote, in an
editorial, 'Boycotting The Dawn':
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