Monday, September 22, 2003

*Ø* Blogmanac | Some more about Virgil

Yesterday we had a brief item about the Latin poet, Virgil, on the anniversary of his death. Here is a bit more about the author of the Aeneid and many wonderful poems:

Virgil: larger than life
Many fables were told about this Roman poet whose persona grew to mythological proportions by the time of the Middle Ages.


His birth was announced by an earthquake in Rome, and he grew to be skilled in the magical arts, or so it is said. Virgil made a lamp that lit every street in Rome; he was said to have founded the city of Naples upon eggs, as a magical charm for protection. On one of Naples's gateways he erected two statues: one had a happy face, the other a deformed and miserable one. If one was to enter the town near the happy statue, that person would prosper; if near the sad statue, the person would have a contrary fate. On another gate he erected a statue of a fly, the presence of which kept out flies from Naples for eight years.

He built baths that cured all ills, and surrounded his house with a stream of air that served as a wall. Virgil also constructed a bridge of brass which took him anywhere he pleased.

A beautiful woman whom he courted told him to come to her castle tower by night. She would let down a basket on a rope for him to ascend; but she left him dangling halfway up the tower wall.

When the Emperor of Rome was troubled by rumours of rebellion, he called on the poet, who made for him a statue representing each of the provinces, and one representing Rome. The former all turned their backs on the latter, and rang bells, thus warning the emperor of the coming rebellion.

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*Ø* Blogmanac | Nathan Hale quote

I only regret that I have but one life to lose for my country.
Nathan Hale (1755-1776), US revolutionary soldier; speech, September 22, 1776, before being executed as a spy by the British. In 1713, English author Joseph Addison had written similar words: “What pity is it/That we can die but once to serve our country!” (Cato, act 4, sc. 4)

[George Washington was so taken with the character of Cato the younger in Joseph Addison's 1713 play Cato that he made the Roman republican his role model. He went to see Cato numerous times from early manhood into maturity and even had it performed for his troops at Valley Forge despite a congressional resolution that plays were inimical to republican virtue. Washington included lines from the play in his private correspondence and even in his farewell address.
Jim Stockdale; Thoughts of a Philosophical Fighter Pilot, Hoover Press, 1995, p. 75]

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